It may sound silly, but you really don't want to get your valves halfway disassembled before you have your oil ready to go. Take a moment before you start to get out your valve oil and open the bottle. You'll have one less thing to fumble with while your delicate and expensive to repair valves are vulnerable. If you happen to be running low on oil, I recommend Hetman No. 2:
Before disassembling your valves, hold the trumpet in your non-dominant hand at about a 45 degree angle (see photo at right). This will help insure that the valves stay in position while you oil them instead of either falling out or back into the horn.
Unscrew the valves caps on all three valves at once, then pull each valve PARTWAY out, as in the photo.
Be careful not to rotate the valves as you pull them. They must go back in the same orientation they were in before in order to work properly.
Put a few drops of oil on the smooth exposed area of each valve. Three to four drops per valve is usually about the right amount, but vary that as needed for your instrument.
You don't need to oil the spring, or the part of the valve that holds the spring. The only area that needs oil is the part that comes in contact with the valve casing (see photo).
Carefully slide the valves back into position, taking care not to spin them out of alignment as you do. On most trumpets, there is a number stamped onto the valve near the top that tells you which valve this is (1, 2, or 3). This number usually faces the mouthpiece, but on some horns it's the other way around.
DO NOT FORCE THE VALVES BACK INTO THE HORN!!
If you have any trouble getting them back into position, gently, slowly, carefully wiggle them back and forth and up and down. This will usually do the trick. Some valves are more finicky than others... just be patient.
Once the valves are in position, carefully screw the valve caps back on. They should be only "finger-tight." Remember that you will need to unscrew them again the next time you need to oil your valves!
After everything is back in place, it’s always a good idea to blow some air through the horn and make sure everything is working. If you can, play a note or two to make sure they come out. If you’ve accidentally put a valve or two in backwards, you’ll discover it now instead of during your performance!
I recently came across a really good blog post on The Productivityist, one of many blogs I follow these days. It’s a guest post written by Ryan McRae, titled “Becoming the Productive College Student.” It’s a pretty quick read, and well worth the time for anyone who’s looking to be more productive in their college years (and beyond!). Here’s my take on what he has to say:
The first part of McRae’s post is about what he calls mastering your calendar. He says to look ahead at your assignments over the upcoming semester and put reminders in your calendar for when to begin working on them. For us musicians, of course, these assignments would be our upcoming concerts, auditions, juries, etc.
I actually use the Structured Practice Method for this purpose in my own practicing: When I know I have something coming up in the future, I create a practice item in SPM and set it’s “Start Date” to the date I’d like to begin working on it. I did this recently with a concert I have coming up with the Flint Symphony. We’re going to be performing Mahler’s 3rd Symphony, which has some major work for the principal trumpet, so I know I need to work on it in advance. Back when I got the season schedule, I set up a practice item for the symphony, and set it’s start date for a few days after I returned from my recent vacation. Sure enough, a few days ago it popped up on my daily practice list and I got to work. Knowing myself as I do, I’m certain I would have forgotten to get to work on it for at least another week or two if I didn’t have that reminder set up, and I would have been less well prepared for the first rehearsal.
One thing I would add to McRae’s advice is to also master your schedule. By this I mean to look at least a day ahead and figure out when you can fit your practicing in. It’s just a fact of life that we often fail to hit our daily goals with regard to practice time. Set times in your calendar and treat them like fixed appointments. If you have an appointment with someone important at 10:00am, you’re not going to hang out in the student lounge until 10:30 (well, you shouldn’t, at least). Do the same with your instrument!
Plan to practice at a specific time and place, for a specific length of time. When that time comes, bite the bullet and go to the practice room and get to work, whether you feel like it or not! This gets easier the more you do it, I promise!
Of course, it pays to make your practice appointments reasonable. Don’t forget to allow yourself some down time now and then, and remember to include time to get from one place to another. Also, if your current average daily practice is 30 minutes, don’t schedule 3 hours right away. Work your way up to it. If you’re not sure how quickly to increase your time, talk to your teacher!
McRae talks about making the Library your “sacred” study space. Obviously this won’t work quite so well for musicians. I’ve heard that librarians frown on students who practice Ride of the Valkyries in the library, though I haven’t tried it myself. Our sacred study space is the practice room.
We don’t typically have much control over what practice spaces are available to us as music students, but when possible I recommend trying a few different spaces. During my undergrad we had a few different types of practice rooms available, and I realized I was much more productive in some than in others. Figure out where you get your best work done and use it to your advantage!
It’s also worth keeping an eye on where you are when you miss the mark. For me, I found I would often miss my practice appointments if I headed to the Campus Restaurant for coffee and a sweet roll (this was very popular among my school’s music majors, as the restaurant was directly across the street from the music building). I eventually figured out that I needed to have at least a half hour free, or I just had to skip the hang-out. My trumpet, wallet, and pants size all rewarded me for the missed social time.
This is McRae’s final point, and we should all etch the above headline deep into our brains.
I know. We all believe we can surf Facebook while we practice our scales. But I can tell you, based on extensive personal experience as well as mountains of scientific research, that it’s really a bad idea. When you’re practicing, practice. Period.
I consider practicing fundamental technique to be a hugely important part of being a musician. As a result, I practice my fundamentals as close to daily as I possibly can. For trumpet, that includes “multi-tonguing,” or double and triple tonguing. Multi-tonguing is a skill that you need to practice regularly in order to maintain a high level.
I was recently working on my double tonguing and noticed my sound quality deteriorating in the upper register on certain passages. This is not uncommon, and it’s one of the reasons I practice that particular exercise. But what was weird was what I did next:
I’ve just written a post about practicing on my Dr. Flegg’s Structured Practice Method blog.
Please stop by and check it out!!
Well, it’s been a long time since I’ve written a post to this website. I’m happy to report that I continue to get close to 2,000 visitors every month in spite of this. But, it’s time to explain why I’ve been so quiet (I have a really good reason!).
I’ve been performing professionally on the trumpet for a little over 30 years. This means that for the past 40 years or so, I’ve practiced the trumpet. Nearly every day. For many, many hours. But in spite of (or perhaps because of) my vast experience with practicing, I’ve always believed I could do better… be more efficient, more thorough, more effective.
I’ve read countless articles, papers and books on the subject. I’ve taught hundreds of students over the years, seeing again and again how we all struggle with similar challenges. I’ve studied with many of the world’s finest trumpeters. In short, I’ve studied practicing very deeply.
One thing you’ll see again and again if you read about practicing: Most people recommend you keep a practice journal. What most people don’t talk about, is HOW to keep a practice journal. I’ve tried journalling off and on for years, but paper journals seemed cumbersome. Yes, it’s helpful to write things down, as that process definitely focuses and refines your thinking, but what if you’re working on something specific and want to track your progress, or quickly refer back to the notes from the last few times you practiced that passage? With a traditional journal, you end up flipping all over the place trying to find the two or three sentences you want to see.
About two years ago I started experimenting with different ways of solving that problem. Eventually, I settled on a system where I used a collection of folders and documents in Google Docs. By the Fall of 2013, my system was working quite well for me, though I still knew it could be better.
Toward the end of 2013 I decided the way to take my journalling system to the next level was to develop a computer program to automate it. I began work in January of 2014, and the project has been my main professional focus ever since.
It turns out there are a lot of things to learn and do if you want to produce a high quality web application, especially if all of your professional training is as a trumpeter! I have learned an enormous amount over the past year about programming and about the interwebs. It’s been a fascinating and exciting journey for me, and it’s nowhere close to being finished.
That being said, I’m very happy to announce to the world that my Structured Practice Method is now available to the public.
I’ve actually been using it in my own practice since May of 2014, and all of my students at Wayne State University and Saginaw Valley State University have been using it since the Fall Semester 2014. It has been incredibly helpful. I have definitely noticed that I am a more effective practicer than I was previously, and the difference in my students has been even more significant.
As of today, I’m opening up the “Public Beta Testing” phase of the application’s development. I’m accepting a limited number of new subscribers in order to really run the system through its paces. I think most of the kinks have been worked out by my students, but in computer programming, I’ve learned that there’s always another bug in there somewhere!
I also hope to get valuable feedback from musicians who are not my students. The dynamic of the student/teacher relationship can make it difficult to offer honest criticism and suggestions, especially when at the end of the semester I’ll be giving out grades.
If you’re a musician who practices, please stop by Dr. Flegg’s SPM and sign up for a free beta tester account! I promise you you’ll be glad you did!
PS: I have big plans for the future of this application. While it currently allows teachers to monitor their students’ practicing from within the app, I’m already working on adding some great additional features to help teachers guide their students in their practicing. Stay tuned to the Structured Practice Method website and this blog for more announcements!
PSS: I also would like to give credit where credit is due. My step-daughter, Katherine Perkins, has been incredibly helpful in developing the public face of the SPM. Among other things, she designed our logos and has been a great help and encouragement in my work. And, she uses the app herself to track her workouts! Perhaps more about that at a later date.
Finally, I’d like to publicly thank my wife, Betsy, for putting up with me over the past year. I’ve put a LOT of time in on the computer when I could have been taking the trash out, or doing laundry, or… Thanks, Honey, you’re the best!